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Silent Structures | 2025 24th April – 23rd May
Project type
objects, reliefs
Date
2025
Location
Hungary | Budapest
Silent Structures | The Poetry of Structure and Form
Artists:
Viktória Kőrösi
Tünde Újszászi
The exhibition opened by the great figure of geometrical art István Haász.
Viktória Kőrösi and Tünde Újszászi explore the transformative possibilities of folded canvas, where surface and structure form an inseparable unity. Their works—created with precision yet intuitively grounded in materiality—transcend the traditional boundaries of painting, questioning the relationship between two-dimensional and spatial form.
Kőrösi's folded objects, constructed from stretched canvases painted with oil and acrylic, carry the pure aesthetic of minimalism. The restrained, monochromatic use of color highlights the subtle tensions between softness and rigidity, flatness and sculptural form. Her work is inspired by a deep respect for traditional craftsmanship and the delicate balance of Japanese aesthetics, where freedom unfolds within the confines of structure.
Újszászi’s art is rooted in the structural logic of weaving, where the meditative examination of material and movement takes center stage. Through repetition, folding, and tying, she creates complex compositions that simultaneously convey fragility and strength, disintegration and unity. Her large-scale structures act as spatial interventions, blurring the line between artwork and environment, and drawing the viewer into the experience of the form’s continuous transformation.
Together, these two artists create a space where the act of folding and the transformation of canvas as material become both artistic gesture and philosophical inquiry. Their works are not merely objects; they are imprints of rhythm, balance, and transformation—reflecting the sensitive interplay between discipline and freedom, material and idea. The silently interwoven structures invite viewers to witness the quiet yet profound dialogue between surface, structure, and space—where each fold preserves the memory of a gesture, and every rupture unveils new formal possibilities.
Curator: Barna Erdész



























